of Kierkegaardian leap of faith on Camuss partin this case a leap leading. Suicide Suicide is the central subject of The Myth of Sisyphus and serves as a background theme in Caligula and The Fall. The 1940s witnessed Camuss gradual ascendance to the rank of world-class literary intellectual. Revolt, the Outsider, guilt and Innocence, christianity. Condemnation of capital punishment is both explicit and implicit in his writings. He is also both a novelist of ideas and a psychological novelist, and in this respect, he certainly compares most closely to Dostoyevsky and Sartre, two other writers who combine a unique and distinctly philosophical outlook, acute psychological insight, and a dramatic style of presentation. You might wonder how that counts as a solution. During this period he was still afflicted by tuberculosis and was perhaps even more sorely beset by the deteriorating political situation in his native Algeriawhich had by now escalated from demonstrations and occasional terrorist and guerilla attacks into open violence and insurrection. 1010 Words 5 Pages, albert Camus is considered one of the greatest existentialist writers of all time. By the end of the first act, the normally laid-back and carefree citizens fall under the dominion of a gaudily beribboned and uniformed dictator named Plague (based on Generalissimo Franco) and his officious, clip-board wielding Secretary (who turns out to be a modern, bureaucratic incarnation. Like Wittgenstein (who had a family history of suicide and suffered from bouts of depression Camus considered suicide the fundamental issue for moral philosophy.
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But that doesn't speak to the imagination. "Ashley Lattal's Paper: Albert Camus". The Myth of Sisyphus ( Le Mythe de Sisyphe, 1943)If there is a single non-fiction work that can be considered an essential or fundamental statement of Camuss philosophy, it is this extended essay on the ethics of suicide (eventually translated and repackaged for meeting at night poem essay American publication. It is not this discovery that is interesting, but the consequences and rules of action drawn from. It is, however, a destructive concession. He acts in the name of certain values which are still indeterminate but which he feels are common to himself and to all men ( The Rebel 15-16).